Saturday, December 20, 2014

Reflective Commentary

In my basic writing course, there is a great deal of knowledge that I gained that is important to me.  One of things I realize is that basic writers are not limited only to basic writing or developmental writing courses.  In fact, I learned that we are all basic writers.  The awareness of this common thread should help me to empathize more with students who are placed into these courses because of their failure to perform well on a 90-minute high stakes test that keeps them out of mainstream college courses.  Prior to taking this course, it never occurred to me to question the fairness of CUNY’s Writing Assessment Test.  No matter how you look at it, the test is used to keep people out of the mainstream.
Above all else, I have learned that there is hope.  There are teacher-scholars and administrators who see our work with basic writing students as a call for social justice.  In fact, there are several examples of innovative pedagogical approaches to basic writing like the Accelerated Learning Program at The Community College of Baltimore County that are mainstreaming students so that they can have a chance at the American Dream.
Another thing that I have learned is that I do not have to correct every single error on a student’s paper.  I am grateful for the lesson on Higher Order Concerns and Lower Order Concerns.  I would feel guilty if I did not correct every common mistake that composition students make in their essays.

Sadly, I have learned how our society is not eager to give resources to students who are not college-ready even when it is not their fault.  Unfortunately, racism and classism still are big obstacles to overcome in order for some of our citizens to have access to a quality education.  I am clearer today about the politicization of basic writing and how access to higher education is becoming more of a privilege for the few rather than the many.   I did not realize that my work as a writing instructor is a form or resistance –that the teaching of writing and critical thinking is essential for the transformation of students’ lives and their communities.  Also, I did not realize that I chose to attend a college that has a tremendous legacy of women like Audrey Lorde, Mina Shaughnessy, and Adrienne Rich who were willing to fight the good fight in order that others might have a chance to be somebody in life.

Reflective Essay

James L. Dunn
ENGL B8104 2TU
Basic Writing Theory & Practice
December 16, 2014
Reflective Essay
Composition teachers tell students that writing is a process that involves invention, revision, proofreading and editing.  The hope is that our students will realize that writing takes time, patience and planning.  For the literacy narrative assignment, I chose to write an essay describing a key reading or writing experience with reflective commentary on the significance of this experience to me.  I approached the assignment in several ways.

First, I had to narrow my topic to a specific writing experience that was meaningful to me.  This first step in the process was a challenge to me, and I tried several different brainstorming strategies to focus my topic on one particular worthwhile event.  I like to free write so I began to write about different writing events that might make a compelling literacy narrative. 

Yet, as a middle aged man, I struggled with this assignment at first.  It took me several drafts before I got my bearings on the topic.  I attribute this difficulty to my inability to focus on one particular event.  I feel like there are a confluence of several events that have influenced my experience with reading and writing.  I came up with several ideas, and it seemed as if I did a complete inventory of every memorable experience that I had with reading and writing.  There was the idea about writing about the first time I received a byline for a feature article I had written in a national magazine.  There were several literacy events during my childhood that I had thought might make an interesting narrative.  In fact, I am not even sure if I have ever written a literacy narrative.  I am not even sure if I have ever written a literacy narrative. 

One thing for sure: I felt like a basic writer might feel when they are given an assignment, and they do not where to start and have no ideas about how to approach the assignment.  One of the things I discovered from this assignment is that everyone is a basic writer at some point in their life. 
However, over the years, I have been inspired by several of the literacy narratives that I have read or taught in my first-year composition courses.   There is little that I could ever write that could compare to the literacy narratives that writers such as Malcolm X, Frederick Douglass, Alexie Sherman, and Sandra Cisneros have shared with their readers.  Each of their narratives, in their own way, makes some kind of emotional appeal (pathos).  Each author is willing to be vulnerable, in that they are willing to show that weak language and literacy skills give them less control of their world.  In my view, one of the best things about literacy narratives is its ability to share an individual’s unique and very personal relationship with language and literacy. 

For me, my experiences with literacy have been rather non-eventful when compared to these writers.  One of my favorite short stories is "The Joy of Reading and Writing: Superman and me" by Sherman Alexie. "The Joy of Reading and Writing: Superman and Me" explains Alexie's life as an Indian boy and how writing and reading shaped his life into what it is today. This short essay talks about how he first learned how to read, his intelligence as a young Indian boy, and Alexie as an adult teaching creative writing to Indian kids.  In fact, Alexie says about his relationship with literacy, “I was trying to save my life.”

After coming up with a specific topic, I was able to move to the next step in the writing process: composing.  I wrote three drafts for this assignment.   For my first draft, I participated in a peer review group exercise; I received feedback from three colleagues in my basic writing graduate course.  Their feedback was helpful and constructive, for it gave me an audience’s perspective on my narrative.  For example, in my first draft, I had mentioned several literacy events, but I did not explain how these events fit into the overall theme of my narrative.  For the other two drafts, Professor Gleason, gave me feedback. 

Once I got input on my drafts, I revised my literacy narrative to incorporate some of the changes that were suggested.  After I made the changes, I let the essay sit for a day and went back over it to see if I wanted to make any more changes to the final draft.  When I decided that I did not need to change anything, I proofread and edited the paper for spelling, usage and grammar, and proper MLA style formatting.


“Stretch at 10: A Progress Report on Arizona State University’s Stretch Program” by Gregory R. Glau

Like the Accelerated Learning Program at The Community College of Baltimore County, Arizona State University's Stretch Program is another innovative approach to basic writing pedagogy.  The Stretch Program "stretches" English 101 over two semesters.  The goal: to give more time to students who many not have a lot of experience at academic college-level writing.  This program sees basic writers as those capable of writing, full, complete, and thoughtful papers, but who also might need more time for revision, group peer review, and conferences with their instructors.  These students do the same readings and write the same papers as all English 101 students, but their class moves at a slower pace.

I like the examples of how some composition programs have and continue to develop new ways to examine and rework basic composition teaching.  The class extension, the scaffolding of assignments, and the student cohort are the means through which these basic writing students can take some control and responsibility for their own education.  Apparently, students who have participated in the Stretch program have higher pass rates for English 10 than students who took only one semester of the course.

"Community College Students Face a Very Long Road to Graduation" (New York Times)

This New York Times article really speaks to the struggles that many of my community college students face. It's tough. Many of them want to be successful in school, but they have many challenges: some of them work full-time jobs, some of them have children, some of them do not have any support from family or friends.  For many of my students, I am the only support they have.  Often times, I am a cheerleader and a coach. Working in a community college is truly God's work, for you are dealing with people and all of their vulnerabilities.  I find one of the biggest challenges is getting students to believe in themselves.  So many of them come to college having been beaten down by our educational system or even families.  Unfortunately, on some level, we continue beating them down with these assessment tests in community colleges. The fact that the majority of community college students have to take some form of a remedial course should be enough to increase the financial and pedagogical resources at these institutions.  Again, it is political.  How many of these students or the communities from in which they hail have any real political power?

I think that is what is so remarkable about Mina Shaughnessy and Adrienne Rich--their ability to see in students what they do not yet see in themselves.  I am not saying it is easy all the time. There are some days when I have to remind myself that there is a bigger purpose here than what I see in front me.

One thing I do admire about the young man, Vladimir de Jesus, featured in the article is his persistence. He still keeps coming back to school despite his setbacks. Students like this young man deserve our support for as long as it takes to fulfill his dream of going to Hunter College.


Remediation Phase-Out at CUNY: The “Equity versus Excellence” Controversy by Barbara Gleason

Barbara,

As we read essays about basic writing this semester, I really struggled with some of the issues around the "equity versus excellence" controversy.  I do not think that high stakes testing  (CUNY’s three Freshman Skills Assessment Tests) is productive as well. I have seen firsthand the effects of those placement tests on student morale, and I do not think that you can accurately measure a student's level of competence on a 90 minute exam where students are expected to revise, edit and proofread in a limited time period.

I had never thought about it, but in a way these tests are just another way to keep what society considers "undeserving" students out of educational and economic mainstream.  Certainly, the "equity versus excellence" argument is complicated.  Students in New York come from various backgrounds--many of them live in poverty and attend underperforming high schools.  Some of their parents are hardworking immigrants, and they do not speak or write English at home.

The ending of open admissions was a cop-out, and pushing more remedial education into the community colleges would be fine accept that many of them are underfunded and overcrowded. Again, this is another example of the political and ideological nature of this controversy.  Conventional wisdom has it that students--indeed all of us--should be able to pull ourselves up by our bootstraps.  We want to believe that America is a merit-based society, but it is disingenuous for us to expect a kid who does not have enough to eat, who is kept up at night by gunshots, and who lives in a shelter to be in par with a middle class student who lives in Park Slope and whose parents are working  professionals.

"Remediation at a Crossroads" by Mike Rose

I really enjoy Mike Rose's books about adult learners and "second chance" opportunities for non-traditional students.  No one better than he, I think, gets to the crux of these issues. The one thing I realize from my language and literacy courses is that academic underpreparation is a complex issue-- that there are no easy answers.  This acknowledgement can be frustrating, but I also believe, that it gives us--as language and literacy students and future practitioners--the opportunity to develop creative solutions to these challenging problems.  Rose sees "...in basic skills instruction the rich possibility for developing literacy and numeracy and for realizing the promise of a second-chance society" (Berstein 30).  Basically, Rose is saying that he wants education to go beyond just acquiring fundamental skills so that students can develop "the broader habits of the mind" that will transform their lives and their communities.  I think Rose is on to something.  Too often, remedial education is about passing gateway tests that determine whether students can take college course for credit or if they will denied a pathway to higher education and the opportunity for economic and social success.

"Teaching Language in Open Admissions" by Adrienne Rich

Teaching Writing in Open Admissions

“Teaching Language in Open Admissions” by Adrienne Rich is one of my favorite essays that I have read this semester.  Her essay is even more relevant today because college administrators and politicians are coming up with ways to limit access to students who are underprepared for college.   As I read these essays, I ask myself:  Who is the next Mina Shaughnessy, Adrienne Rich, and Audre Lorde?  Granted it is a different time, but a lot of what they fought for still needs a champion.  The more I read about them the more that I wish that I could have met them.  They all have certainly created a legacy for themselves, and I am so honored to be a student at The City College of New York where they fought for access for underprivileged students. 
Rich writes, “I think of myself as a teacher of language; that is, someone for whom language has implied freedom, who is trying to aid others to free themselves through the written word, and above all through learning to write it for themselves” (Bernstein 23).  In a time of increasing police brutality, income inequality and budget cuts, it is even more imperative that English language teachers aid others in freeing themselves through words. 

I am struck by how politically charged and racially tinged the reaction to open admissions was at The City College of New York.  Yet, even today, I can see how students who are underprepared for college through no fault of their own are often stigmatized and in some instances seen as lost cases.  One thing I know for sure is that the teaching of basic writing is as a form or resistance to those who would have some people in our society remain as part of a permanent underclass.  It is an uncomfortable conversation to have, but we as a society are going to have to decide if we are going to give people a hand-up (not a handout) so that they can make the most of their lives.  Our democracy depends on each of us having equality opportunity--even for those of us who start from behind.

Review: Accelerated Learning Program

James L. Dunn
ENGL B8104
Basic Writing Theory & Pedagogy
December 16, 2014
Review: Accelerated Learning Program 

_____________________________________________________________________________
Gabriel, Susan L., and Jamey Gallagher. 
Accelerated Learning Program. The Community College of Baltimore County, n.d. Web. 11 Dec. 2014. <http://alp-deved.org.> 
______________________________________________________________________________

The Accelerated Learning Program (ALP) at The Community College of Baltimore County has become a national model in acceleration for basic writers.  Yet, when it comes down to it, ALP is not really accelerated at all.  Students actually spend the same number of hours in class as traditional students.  What’s different, however, is that students are taking their basic writing course concurrently with their first year composition course (English 101), rather than sequentially.
This program is a big deal because it offers non-traditional and developmental writers a chance at the American Dream.  Instead of blocking the path for non-traditional students to earn college credit and begin their college careers, ALP offers a much-needed approach to dealing with obstacles to college access, and thus economic and social prosperity.  Anyone who cares about social justice should fully embrace CCBC’s Accelerated Learning Program.
Actually, here is how the program works:  Eight students who have placed into a non-credit-bearing basic writing course are “mainstreamed” into a credit-bearing English composition course with twelve other composition students.  Thus, ALP students are therefore enrolled at the same time in two English courses that meet consecutively and are taught by the same faculty member. After attending the English composition course, ALP students proceed as a cohort to another classroom where the basic writing section is taught in a workshop format that supports the students’ work in English 101. Student activities include the scaffolding of essays, skills-building, conferencing, peer review, and discussion of and attention to affective and material concerns that may impact students’ academic performance.
Located in metropolitan Baltimore, The Community College of Baltimore County (CCBC) is the largest two-year community college in the state. It has over 77,000 students, 35,000 of whom are credit students.  Yet, like many community colleges nationwide, a majority of their incoming students place into some form of developmental education (math, reading, or writing).  According to the Accelerated Learning Program, when it began as a pilot in 2007, the pass rate for students who placed into Basic Writing II, a traditionally taught class of 20 students, was a disappointing 57% percent. Furthermore—and possibly even more regrettable—was the finding that 16% percent of those Basic Writing II students who passed the course failed to take any more English courses and were often lost entirely to the institution.  Some of these students had been setback by life’s exigencies, whether those be financial, relational, health-related, psychological, or material (transportation or child care). By 2007 it was clear that CCBC needed to reexamine the way that basic writing instruction was being implemented, the Accelerated Learning Program was conceived and piloted.  Thus, ALP was borne to tackle one of developmental education’s most enduring challenges: how to move basic writing students along from basic writing courses to the successful completion of first-year composition courses while at the same time retaining them in colleges or adult learning centers.
Well, ALP has had some worthwhile results.  Since the inception of ALP at CCBC, data have shown that both retention and completion rates for students enrolled in the ALP far outstrip those of students who take Basic Writing II in a classroom with twenty students. The CCBC data was verified in 2010 by a quantitative study conducted by The Community College Research Center (CCRC) at Teachers College, Columbia University. In addition, data from fall 2011 indicate that ALP students have a higher retention rate at the institution: one year after taking a developmental writing course, ALP students 24% of ALP student had accumulated at least 15 college credits, whereas on 11% of students who took the traditional developmental course had done so. After two years, 24% of ALP students had accumulated at least 30 credits versus 12% of traditional students.
Proponents of the Accelerated Learning Program attribute its success to several intersecting factors: the “shortening of the pipeline” for basic writers who can now take two English courses during the same semester, thus lowering the odds that life issues might force them to drop out early in their college program; the one-on-one coaching provided by their professor; the support and social networking with their fellow students; and the increased attention to those affective and material needs that may interfere with course completion. According to the Accelerated Learning Program, the model has been so successful that it has scaled up from the original 10 sections in 2007-2008 to 160 sections in 2011-2012.
In fact, one of the biggest benefits of mainstreaming basic writing students into a credit-level writing course is psychological.  This placement helps students to no longer think of their basic writing course as a hurdle standing between them and the credit course. Instead, they can view it as something is immediately helpful to them in the credit English course.  More importantly though, it also improves their sense that they are really “in college” and not in some isolated pre-college holding area, thus reducing the stigmatization many development students feel.
Another feature of ALP that leads to improved retention of students is the fact that their instructors recognize the importance of paying attention to affective and life issues of their students.  Let’s face it.  One of the major reasons developmental students fail to complete their developmental work and pass the gatekeeper course is not difficulty with writing, but more often difficulty in their lives or with their confidence or stress levels.  ALP instructors, aided by the small class size, are able to address some of these problems before they derail students.
Another ways that ALP deals with the psychological and social development of its students is through smaller class size.  ALP students are members of a cohort of just eight students, who spend six hours a week together.  Often developmental students have little attachment to college and little opportunity to develop friendships.  Fortunately, in ALP, the eight students become friends, and they will know one faculty member well enough to seek help if needed.
Teachers should not underestimate the power of social networking in the learning process.  ALP students work with stronger writers in their credit-bearing English course.  By allowing developmental students to register for sections of credit English in which the majority students are credit-level students, the developmental students are exposed to strong role models.  This pairing is great in courses like English where students do a great deal of group work like peer review. The stigmatization and demoralization effect of being isolated in all basic writing sections is reduced by working with mentors and peers.
In fact, relationships seem to be a key part of the pedagogical strategy of the Accelerated Learning Program, for the instructors are able to focus on the individual needs and issues of each student.  As a result, instructors are able to build trust with students and to work more productively with basic writing students.
Another key feature of ALP is the pipeline through which students have to pass is shortened by one semester.  Since these students take the basic writing and credit-level writing course at the same time, students do not have the opportunity to drop out between courses.  Because ALP requires students to take both courses, it is impossible for students to drop out between them.
The Accelerated Learning Program not only benefits students but teachers also.  Since the same instructor teaches the ALP course and the credit course, it makes it easier for the teacher to coordinate the two courses.  In addition, knowing what the ALP students have just completed in the credit course makes it easy for the instructor to reinforce or answer questions about the material just covered.  Knowing what is coming up in future classes in the credit course makes it easier for the instructor to provide scaffolding activities to prepare students for the next task in the credit course.
Despite the improved retention and completion rates for ALP students, however, some educators may argue that basic writers do not need a fast track to first-year composition.  Instead some might argue that basic writing should emphasize extensive direct instruction in teaching the fundamentals of grammar and conventions or focus on sentence and then paragraph construction as well as the five paragraph essay.

All in all, ALP is a positive example of what basic writer instructors can do when they have the time, resources, and the opportunity to build relationships with students where they can work more intensively and productively with them.  This program is good because restructures the basic writing course in the institution and gives students an opportunity to break through barriers that not only stigmatize them but also keep them from being a full member of an academic community.  No wonder this program is being expanded in community colleges around the country.  This program is one real chance to do right by students who through no fault of their own may are not adequately prepared for the rigors of academic discourse.  Teachers and administrators everywhere should give a look if they really care about opening the doors to “second chance” students at our community colleges.

Monday, December 15, 2014

Literacy Narrative Draft #2

James L. Dunn
Basic Writing Theory & Pedagogy
Professor Barbara Gleason
November 28, 2014
Literacy Narrative
Butchering the Language
Until now, I have never really put much thought into my experiences with literacy, whether it be reading or writing.  Admittedly, it is a challenge to look back at one single event that has shaped my relationship with literacy.  There have been so many.   Yet, one thing I know for sure is that words have always been a living breathing part of my life—a powerful force that not only gave me an opportunity to “name the world,” but also to prosper in it. 
It’s hard to believe, but twenty years ago, I was a graduate student in Journalism and Public Affairs at American University in northwest Washington, D.C.  In addition, I was working full-time as an Assistant Editor for that venerable Washington publication, Congressional Quarterly—often dubbed the “bible” on Congress because of its inside coverage on politics and public policy.  So it should come to no surprise that in my professional and academic life, I was totally submerged in language. 
Nothing symbolized this immersion into language and words more than my Advanced Copywriting course taught by Professor Roseanne Robertson—a hard-nosed journalist who had worked for twenty years at The Associated Press’ Washington Bureau.  She was someone who would gloatingly tell the class stories about how she would be so overrun at the news desk that she would not even have time to go the bathroom.  Her “war stories” would set the tone for her class and deeply affect how I viewed the use of language in our public discourse.  I will never forget her or her serious refrain: “We butcher the language.”
 I must admit that at times I felt guilty when she would make this accusation to my class, for none of us maliciously set out to destroy the English language.  Yet, with every misplaced modifier or fragment that I wrote, I couldn’t help but feel like I had committed a serious crime.  My errors certainly did not rise to the level of plagiarism, but it sure felt like they did. 
To say that the three and a half months that I spent in Professor Robertson’s class was stressful is an understatement. It was a very humbling experience.  Before I took her class, I thought that my mastery of grammar, style and usage was superior.  Obviously, it was not.  After all, I was working in the field of journalism; I had always done well in my composition courses.
Yet, I was knocked down a peg or two.  I remember during one class, Professor Robertson passed out copies of three newspaper articles—one from The New York Times, The Washington Post and The Los Angeles Times.  Each article dealt with the same topic.  Our assignment was to read all three articles and combine them into a single news article, while at the same time, correcting all errors in grammar, style and usage, and rewriting the lede.  Although these tasks were not particularly difficult, she only gave us twenty minutes to complete them—hardly enough time, in my opinion, to complete the tasks thoroughly.  It took me a few tries before I would hit my stride. I felt like a race horse chomping at the bit.  I was trying to come from behind and make it to the finish line.
During these drills (It felt like a boot camp), my professor would sit at her desk, and she would edit several newspapers.  Red ink would drip from the margins of the newspapers that she edited.  There was something about the sight of red ink that served as a visual metaphor for her insistence that I and my classmates slaughter the language—that we treat it cruelly and disrespectfully.  Along the same lines, there was a mercurial quality to this course because of its emphasis on deadlines, production, speed and accuracy.  Even our textbook, When Words Collide, (I still have it) suggested a kind of erratic and combative tone to the subject matter.  The implication, here, is that language is a never ending battle—a struggle for me to follow the conventions of standard American English and professional writing.
In hindsight, Professor Robertson was teaching me—no matter how painful at times—the  craft of journalism—those essential editorial skills and values that journalists use to write, broadcast and edit news and feature stories.  A lot of her push for editorial excellence had to do with credibility—the notion that if I wanted to be taken seriously by my audience that my copy should be as error-free and accurate as possible.  Ultimately, I learned that I am responsible for the final product that will contain my byline.
At my age, I have had several bouts with the transformational power of language and literacy.  Yet, if I had to choose one event that still has a profound effect on me, it would be my experiences in Professor Robertson’s class. First, she really taught me how to look at texts or compositions holistically.  In other words, I learned not only to focus on content but on the mechanics of writing as well.  Basically, she taught me not to make any distinctions between Higher Order Concerns and Lower Order Concerns and that my construction of language is a powerful act that directs my life and connects me to others.  In a nutshell, I came to realize that in order to communicate clear and precisely, I must be fully understood and use language that is based on shared, logical understandings and common conventions.
Secondly, she instilled in me the importance of audience—the people who actually use their time and money to read my stories.  As professional writers, my professor taught my class that we are guardians of the language and that how we craft our messages can have profound effects on our readers and viewers, especially when communicating with masses of people at once.
Finally, Professor Robertson showed us how we use language to establish relationships, conduct business, exchange information and express emotions.  Although, I do not totally agree with her pedagogical approach (I think it was sometimes abusive and fear-based), she taught me to always be cognizant of what I say and how I say it.  The truth is that most of us, intentionally or unintentionally, butcher the English language at some point in our lives.  The problem that I had with Professor Robertson’s approach is that she seemed to imply that there was something inherently wrong with us because of it.
Now, I feel like I have come full circle.  I am still surrounded by words in my daily life but in a different capacity that has a language and tradition of its own.  As a graduate student in the Language and Literacy Program at The City College of New York, and as a writing instructor, I see firsthand the many challenges that New Yorkers face with literacy.  Recently, I was riding the D train home.  Beside me sat two young Hispanic women who were doing their English homework.  They were completing grammar and usage exercises in their workbooks.  One of the women looked over at me and asked me if I would help her.  So for several train stops, I helped her with her homework.  She was studying subject verb agreement and pronoun reference. 
This incident brings to mind the reading and studying of Paulo Freire’s The Pedagogy of the Oppressed—so far one of the highlights of my graduate program at City College.  His emphasis on praxis or reflection and action as paramount for personal transformation is so powerful.  It should be required reading for anyone who desires a more equitable and just world.  My only regret is that I had not read it sooner.
I am not Freire, but I can do what I can to make America a better place.  So right now I try to inspire students and to help them transform their lives through the power of language.  It is a long road, but there is no more important work than this task, for our nation’s economic survival rests on our ability to develop a literate and engaged populace among non-traditional and forgotten constituencies.
           






Literacy Narrative Draft #1

James Dunn
Basic Writing Theory & Pedagogy
October 20, 2014
Literacy Narrative

Until now, I have never really put much thought into my experiences with literacy, whether it be reading or writing.  All I know is that I have been fortunate to learn, to be supported from within my family and outside of it.  I am one of the lucky ones.  I have had an opportunity to get a good education.  I have never had to take remedial courses; I was a traditional student.  At 18, I was packed-up  and sent off to live for four years on the campus of the University of Maryland at College Park—at the time, a large white campus of about 40,000 students. 
In a way, writing this literacy narrative is important to me.  This assignment is an opportunity for me to reflect and ruminate on the role of literacy in my life.  Sometimes it is valuable to examine where you have been in order to really appreciate where you are now.  As a graduate student in the Language and Literacy Program at The City College of New York, and as a writing instructor, I see firsthand the many challenges that New Yorkers face with literacy.  Just last week, I was riding the D train home.  Beside me, two young Hispanic women were doing their English homework.  They were doing exercises in their workbook.  One of the women looked over at me and asked me if I would help her.  So for several stops, I helped her with her homework.  She was studying subject agreement and pronoun reference. 
As far as I can remember, language came natural to me, but it really hit home for me when I was in the seventh grade.  My social studies teacher, Miss Stokes, asked my class to write an essay about the United Nations.  Little did I know that she had submitted my essay to a contest.  Although I did not win, I remember one day checking the mail, and sitting there was a letter addressed to me.  The envelope looked official; the city seal jutted out from it.  Receiving the letter was a big deal because no one ever sent me anything through the mail.  Inside the envelope was a two-page letter from the mayor commending me for writing a letter about the role of the United Nations.  Looking back, I realize that this experience was my first meaningful rhetorical accomplishment. I realized, on my own, how the power of words can move and persuade people—an audience.
Also, during that same year I came in second place in a Black History Month contest at my junior school.  The winner, as well as,  I and the third place runner-up would have an opportunity to compete in a citywide competition.  For some reason, one of the most important books that I remember reading as child was an encyclopedia-like book called “Great Negroes Past and Present.”  It contained bibliographic profiles and images of important African-American historical figures in politics, sports, government, and civil rights.  I attribute my performance in the contest to my study of this particular book.
Along the same lines, I think I had a penchant for encyclopedias anyway.  I remember years before my participation in these various contests, my mother had purchased a set of World Book Encyclopedias.  She brought them at a time when salesmen would go door-to-door selling them.  I remember the excitement of thumbing through the blue vinyl-bound books and the colorful images that abounded on most of the pages.
My parents played a huge role in my literacy development, especially my mom.  When I was growing up, my mom was a teacher.  In fact, some of my teachers had gone to college with her.   

Reggie Blackwell's Thank You Letter

976 Greene Avenue #1
Brooklyn, NY 11221
September 24, 2014

Reggie Blackwell
The City College of New York
160 Convent Avenue
New York, NY 10031

Dear Mr. Blackwell:

Thank you for taking the time out of your busy schedule to visit my Basic Writing Theory and Pedagogy class at City College. Your story of overcoming and perseverance is truly inspirational.  There was so much that you said that resonated with me as an instructor of basic writing and college composition.

First, listening to your comments gave me real hope that developmental writing students can succeed in college no matter their age or background.  I already believe that students can make it despite some of the systemic and personal obstacles that confront them.  Yet, your visit and testimony is a real-life reminder of this possibility.  Society needs to see that more African American men can prosper despite the myriad social problems they face, especially our young men.

Just the other day, I thought about your journey from obtaining a G.E.D to earning a Master of Social Work degree from Lehman College when I ran into one of my former students on the subway.  Portia, a single mother in her late thirties, had been a student in my basic writing course at Borough of Manhattan Community College about four years ago.  She told me that she had graduated from BMCC and is now a student at Brooklyn College.  Portia’s accomplishment is notable because many basic writing students have to repeat the course several times before they pass the CUNY Writing Assessment Test.

In a way, you were fortunate.  Many of my students give up a lot to attend college.  You had already worked as a successful employee in several restaurants.  Many of them have little to no support from their families and friends.  You had a supportive wife.  I realize that for some of my students, I might be all they have in terms of a support system.  We all laughed when you told us that Professor Gleason called your draft a piece of “shit,” but one thing you must have realized is that “students will”, as Mike Rose says in his essay, I Just Wanna Be Average, “float to the mark you set.”  I can speak from experience.  Students can sense when an instructor is vested in their academic development and personal transformation, and they will usually step-up and meet the challenge if they are engaged.  I can imagine that the publication of your short story is an example of how basic writing instructors can engage and inspire students to do their best.

Thank you again for your time, and congratulations on the important work that you are doing in your professional life.  Your story is proof is that it is never too late to make the most of our lives.

Yours truly,



James Dunn



Sunday, September 7, 2014

Book Club Project: Accelerated Learning Program at The Community College of Baltimore County

For the book club project, I am going to focus on the Accelerated Learning Program at The Community College of Baltimore County.